£7.75

 

Club of Jacks presents their 6th vinyl-only release - Hoovers E.P. [COJV006].
This heavyweight 4 tracker fuses that trademark Club of Jacks House & Garage sound with an injection of raw Rave energy, delivering an EP that's as upfront as it is nostalgic.
Kicking things off on the A side is 'The Hoovers Track', an homage to a certain UK Garage classic (we'll let you work it out) but with a twist - combining a slamming 909 beat with a dirty Alpha Juno hoover line and a roucous breakbeat on the breakdown. A2 track 'Fall On Me' is a bumping Deep House groove flecked with evocative old-school vox and samples that raise the temperature.
On the flip side, things get a little moodier with the 2-Stepper 'Rub-A-Dub' mixing heavy sub bass with organ grooves, pianos, chopped breaks, dancehall shouts and a sweet female vocal chant. Finishing off the EP is 'Watch It' which samples a voicemail from a conversation the COJ boys had with none other than El-B and cuts it up over a rolling 4/4 bass groove.
Limited edition clear vinyl pressing with hand stamped number.
Written/Produced/Mixed by Club of Jacks. Mastered by Optimum.

 

 

£6.99

 

Three generous portions of blissful beats on the Electric Shrine imprint, kicking off with the downbeat (in BPM terms) but lively 'Solar Visions' coming on like a dub mix of a lost Chic classic, 'What You Love' more like prime-era John Carpenter remixed by a mischievous Orb and 'Un Amore Supremo' a slow motion (one of the slowest we've ever encountered) reverb-fest, designed for more eccentric chillout rooms. And that's all before the opera singer pitches in.

 

 

£8.99

 

The Brightonian Balaeric scene is very much in the spotlight here as South Coast label Higher Love Recordings join forces with Perry Granville, aka Hotel Pellirocco's Dave Sibley, for six sizzling bits of wonky dance floor action. Tow of the tunes have been released digitally before but here they get polished up and pressed to wax alongside a couple of remixes. 'Sailing Ships' is a textural, dark and heavy chugger that Hardway Brothers flip into way more dubbed out and spacious. Then come four versions of 'New Arp' - the acid-laced Break Mode remix, an icy electro original, a mind-melting Justin Robertson Deadstock 33s remix and a biker disco bumper from Mr BC.

 

 

£7.50

 

TwoStep2 aka DJ Relay and Jo Public have been known for their superlative but distinctly old skool sounds, but lead track on this three cut 12" is rather a subtle departure. The beat is a little more wonderfully wonky than you might expect and the bassline bigger and more adventurous, with pleasingly original results. 'Starlight' plays off its abrasive backspins with fluttering harps that are more Luke Vibert than Sticky or Noodles, true genius, and a bubbling beat to boot. 'Weapon of Choice' plunders ravier elements but again, it's no museum piece with its off kilter piano and slowed down, drowsy atmospherics. If you're looking for memorable tunes that stick out rather than fit in, make this your destination.

 

 

£6.99

 

As if it wasn't enough for them to secure the services of French artist Evenn for the 'One For Love EP', the Selections label has done the double on its ninth release and enlisted none other than Detroit's Javonntte to remix the title track. The original is almost the definition of deep house - gorgeous strings and pads you could almost drown in, a female vocal eased on by an uplifting piano and silky beats reclining at a moderate but insistent pace. Javonntte's mix keeps the vocals intact but chops and changes a little more beatswise and has its head somewhere a little spacier, both in terms of its Mayday-esque bass end bleeps and celestial pads. Kicking off the B-side, 'Inspiration' is more of a hypnotic, looped up affair, as is the speedier and heavier close to proceedings 'Round N Round', making good use of the filter functions and disco vibes from the past.

 

 

 

 

 

 

 

£11.50

 

Having thrown somewhat of a creative curveball with the launch of Latin and soul-centered project Sol Set, John Beltran hands over the Detroit collective's debut album Ola De Novo to a list of impressive global talent for the remix treatment. Kiko Navarro, Kaidi Tatham, Blair Frech, Ezel, Cee ElAssaad, Chris Coco and John Beltram with John Arnold all line up to do their duty, incorporating the sun kissed, percussion-heavy and exotically instrumented vibes into their more house and techno productions. Highlights include Cee ElAssaad's remix of 'Get Away', its gloriously optimistic vocal retained and re-purposed over light and nimble beats, and Chris Coco's dubby slow motion samba take on 'Linda Sau Paulo', but like the label says, it's All Good

 

 

£9.99

 

20/20 Vision have enlisted disco overlords Crazy P to curate a brand new series of records for the label, with exclusive tracks produced by some of their favourite artists on the cards. Designed to stretch beyond the world of disco and showcase the band's wide ranging and eclectic musical tastes, there'll be Balearic moments, downtempo beats, indie dance and electronica spread over four vinyl records.
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments.

 

 

£6.50

 

Detach Recordings is proud to present their third EP, 'In Order To See' by Nekyia. Following releases on re:st, UVB-76 and Voidance Records, the Italian producer further explores his introspective sound, joining the dots between experimental psychedelia, dark ambient and post-drum&bass. Opening with the heavy, drone-driven 'Meta' and 'Leave Your Flesh Behind', the pace soon quickens with 'Breaches', a driving 170bpm collaboration with Books (re:st, Detuned Transmissions). The pressure increases on the B-side with a fierce remix by Sam KDC (Auxiliary, Samurai, Sublunar). The EP closes with 'Form Constants', a 2017 dub unavailable until now.

 

 

£6.50

 

Serbia's Disco Fruit crew has been putting out lush sounds that take in funk, breaks and soul influences on top of their bread and butter disco grooves for years now. This time they welcome back a label regular, Loshmi, who has put out plenty of edits here before now. His new one 'Dark Night' is a 60s-tinged high speed spy theme with funky brass and bristling drums all overlaid with rock-styled vocal yelps. The instrumental on the flip is a more paired back but just as hustling groove.

 

 

£13.99

 

DEL Records is back doing its thing - which is specifically unearthing exceptional electronic sounds discovered in the outer reaches of our galaxy while on a research mission. Enterprise crew, eat your heart out, the sci-fi feeling runs deep with this one, as we're taken on a deep and immersive journey through intergalactic tones as intellectual as they are immediately compelling.

The right ingredients for any strong narrative, German artist Woyke splices together IDM, electronica, movie-theme-worthy epic synthdom, ambient, downtempo and electro-breaks in a way that feels very fresh, not to mention reassuringly warm, considering the early-winter release date. An expansive journey to the other side of somewhere, it's impossible not to get overly immersed, presenting the very real risk of wormhole closing and getting stuck here forever. Still, there are worse places to end up.

 

 

£7.75

 

Akira Arasawa opens up with psychedelic Balearic house on 'Panorama New Touch' while OR's 'Hammock Beats' is glitchy and low-slung downtempo. On the flip is the nine-minute head melter 'Liquidanz' with its rippling synth modulations and Hutte Sound System close down with the dreamy end of the night soother 'Fire Fly'. Thsi mproject sees Especial Specials joining forces ed up with Chillmountain Recordings - a label from Osaka, Japan - on a series of new EPs, this being the first of hopefully many. The idea is to show the world the talents the label has at its disposal. It's definitely a case of mission accomplished on this evidence.

 

 

£7.75

 

Especial Specials has joined forces with Osaka-based imprint Chillmountain Recordings to offer up another Enjoy Your Self EP. This one once again showcases the talents on its roster with label head Ground kicking off with a beatdown meets trance sound on "Utau Narukoyuri'. After that slow burner come tribal percussive sounds from 'Arauma' (Kobato Dub), sunny cumbia on 'Something Sign' and a meandering Balearic journey from Akira Arasawa With KUN & FRANKY-CH that is brought to life with new age flute sounds, bird calls, jungle drips and folkloric strings. A fantastic EP, then.

 

 

£7.75

 

Enjoy Your Self EP 3 is, as the title suggests, a third deep dive into the offerings of Osaka, Japan-based label Chillmountain Recordings. It has a wealth of different producers on its roster, all of whom twist up house, electronica, experimental, dub and Balearic sounds into fresh new grooves for cultured dance floors. It is tribal and percussive dub from Aki Nagase that immediately gets us locked in before Akira Arasawa & Ground combine for the sludgy and slow motion dub of 'Multi Gud Z.' Akira Arasawa's 'Dolphin' has underwater sonar sounds and watery rhythms then the EP closes on what might be the best of the lot - a percolating dub in the form of 'Dancing Pikapika.'

 

 

£8.50

 

 

 

£6.50

 

3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive.

All tracks were produced in the late 90's.

This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.

 

 

£6.50

 

Beyond the Outer Limits by Cult of the UFO is a new solo recording produced by Anthony Barker of Overlords of the UFO.

Due to Anthony being an integral contributor to the music of Overlords of the UFO, the four tracks maintain the trademark retro analogue sci-fi vibe of Overlords of the UFO, although with a more contemporary edge.

This is the 3rd release by Enlightenment Records.

 

 

£7.75

 

Emotional Rescue returns with the third (and final?) King Sporty & The Ex Tras releases with the first ever-official reissue of the highly sought after cult boogie jam Do You Wanna Dance? Coming as remastered vocal and instrumental, plus again featuring a special Discomix, this time courtesy of acid-disco slayer Felix Dickinson.

Appearing shortly after the success of the band's only album, Extra Funky, Do You Wanna Dance? pointed the way forward, moving further from Disco and closer to the rising electro-boogie sounds that were sweeping the dance floors. The confident up / jump electro drum programming, slap bass and trademark Sporty guitar chops are propelled by a monster swamp inducing synth arpeggio that sings the funk electric, while hip-hop-shout-outs ride the rhythm. If the vocals are too much for some, then the original Instrumental (dub) is also included for those just wanting that infectious groove.

As many will recall, Do You Wanna Dance? featured on Felix's "Originals" compilation for Claremont 56 back in 2011, so when the King Sporty reissue project was coming together there was only one name to be asked for the Discomix. With a long history of DJing and music production, as well the man behind the Recycled Records, Fools Gold, Urban Myth and Bastedos labels, as well many, many releases on the long running and aptly titled Cynic Recordings, his remix arrives on point.

Teasingly drawn out, his mix switches back / forth between versions, the interplay between vocals, guitar, bass and electro-glide synths hypnotically building, with Dickinson's deftly dubbing tripping it out, making the title's question irrelevant, as mind and feet involuntarily move.

 

 

£14.99

 

This collection of ten very classy sounding Balearic pop songs actually consists of unreleased material from 1989-1991, a fact you'd never have guessed from merely listening to it. Brenda is a UK based singer and producer, and during the 80s frontperson of Brenda and the Beachballs (whose 'Theme From A Tall Dark Stranger' makes a return in a new form here), and the palate of influences does revolve around the best the decade had to offer - Grace Jones, ZTT, Roxanne Shante and early St Etienne are all echoed - plus a touch of the plundering DIY sample spirit (see 'Tequila Sam') that also powered that era. Exquisite listening that doesn't let its sophistication distract from a gentle sense if adventure and charm.

 

 

£7.50

 

The second release of Flight Mode has landed with four artists from four different countries. On the A-side, Dawl delivers 'Microbe', a sleek acid slow burning that truly stalks the listener, before Kiddmisha ups the speed and the eerie moodiness with 'Anxiety'. Acid Charlie's 'Por La Paz' has the most old school favour of the quartet - even before sirens hit - underpinned by a thunderous drum machine. Then the mysterious producer SPAC closes the single with more cunningly employed acid shenanigans.

 

 

£7.99

 

It's coming home, it's coming home - house music is coming home! A second instalment of the Groove Access: series Chicago Is Home offers us five fresh tracks from the windy city landing in a glorious cavalcade of razor edged snares and hypnotic jack house. Ed Nine & Kid Enigma's 'Bandleaders' opens side one in spectacular fashion with spoken mantras lying deep in the mix, distinctive phasing arpeggios, poking keyboard riffs and ringing cymbals. JSquare's 'Get Wicked' kicks with even more power, tribal rhythms bouncing of bleepy melodies, before 'Move' by Geto Mark rounds off the side with the strutting, beautifully brutal 'Move', a proper 3AM peak time pleaser. Steve Noah's 'The Hater' opens side two, a wily acid line worming its way across a raw, stripped down backing before exploding into serious gnarliness when you least expect it. AFTR's 'Undercover' rounds things off with another knuckle duster of a tune, leaving no doubt that Chicago is still the place to be when it comes to house.

 

 

£7.50

 

Matthew Jonson studied classical piano as a kid and, as well as learning jazz drumming, played drums in a marching band. We only mention this because the influence of all three is still very much in evidence in the infectious house music that the Berlin-based producer makes. The signature melody of 'Spaceport 23' is a jazzy organ riff, which lands it a carefree, frisky air, but of course his grasp of tight, economic beats and beautifully balanced, pleasing-to-the-ear composition also play their parts. 'Spaceport 23-Z' doesn't veer far from the original, but adds a sheen of Detroit-esque synth magic, while those who favour the tech in their tech house will probably want to head for the more synthetic, electrified vibes of 'Spaceport 23-X'.

 

 

£12.50

 

A DJ and production duo from Gdansk, Poland, have clocked up multiple appearances on the likes of Polena Recordings, The Very Polish Cut Outs, Transatlantyk Records and Father And Son Records, but have waited until now to drop their debut album. DJs Jakub Sautycz and Filipiuk draw inspiration from everyday life on the Baltic coast, and the unpredictability of Baltic weather, and yet one senses their productions are, mentally at least, languishing in the sun on a beach in Ibiza. The eight tracks show inspiration from the classic early indie dance remix culture of Weatherall and St Etienne, but also touch on trip hop and the purity of new age, ultimately making for a supremely horizontal but original offering.

 

 

£7.50

 

More absolutely stonking UK garage vibes from the ever prolific, ever adventurous Instinct label. Three big, high stepping monsters are the inevitable result as Main Phase makes a welcome return to the label, bringing his distinctive take on the UKG sound. 'Shell' is a slinky groove which benefits from snippets of an MC in full flow dropped here and there, 'Shining' continues the theme with another vocal contribution, this time more sung than spat. '2 Tall' completes the package with the most traditionally garage framework, a sturdy four-to-the-floor beat weighing in and getting involved early on.

 

 

£7.50

 

Nimbus are three chaps originally from the house music epicentre of Woking, England. In the early 2000s, Oli, Jonathan and Pete carted a gigantic Dell computer between each other's houses to craft a modest but timeless back catalogue of deep and emotional tracks. Their music was featured on European labels Bitboutique and the excellent Iron Box Music at the time; of which 'Entron' a particularly shining example of their sound, only recently gained notoriety amongst a number of discerning DJs. For Those That Knoe is proud to present a sonic snapshot of those times the lads spent in the home counties with three previously released cuts from the aforementioned labels and one taken from their unreleased archives.

 

 

£16.75

 

To celebrate its first anniversary Lempuyang firmly stakes its claim amongst the forefront of deep techno labels with an outrageous line-up consisting of eight of the most respected heads in the business, all doing their stuff across four pieces of vinyl. Among the highlights are the growling menace of Sa Pa's 'Randomer', Gradient's fizzy, dubbed up 'Dopamine Rain' wearing its Basic Channel influence on its sleeve, the ghostly rave stabs of Deadbeat's 'Planterwald' among a sea of radioactive white noise and the clear, sculpted linear grooves of 'Growing Pains' by Bluetrain. That said, there's no weak link among the eight cuts and put together into one coherent package it's more than the sum of its parts.

 

 

£6.75

 

The Neapolis label brings us two slices of sun drenched house with a distinctly European feel and a dubby twist, as Partenopes from Naples offer up the beach ready 'Nella' before Craig Bratley takes the track and turns it on its head. His remix is a slow burning acid affair set to leisurely, breezy hip-hop beats, tailor made for that hour when the sun goes down and the tempo goes up. Magical.

 

 

£7.50

 

A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.

 

 

£7.50

 

'Mysticisms' prides itself on finding the groove, but with a nod (and wink) to discerning ears. However, sometimes it's right to just let it all out and go route one. Berlin based producer Daniel Scholz aka (DJ) Leinad was all about the dancefloor, releasing a series of simple but highly effective EPs of cut up, looped house music that summed up that late 90s Chicago-NYC-London-Paris influenced bombs.

The jack that house built the "heroes" with the "touch" Souvenirs embodies Leinad's sound. Moving from high-school DJ, to computer programmer to professional producer, DJ and soundtrack artist, remixing for the likes of Yellow and Peter Gabriel's Real World, moving from early classic mid-90s German techno and trance releases on to his 'Leinad' moniker (Daniel spelt backwards), the series of releases on JXP can now go for dizzing sums. In Souvenirs, taken from the Disco Part's III EP, Mysticisms found the source - elastic bass, filtered loops, watertight kick and twisted disco'n' strings, all cut back and forth 'for the party' to abandon.

Present day remixes come from Lewie Day's 'Deep Dean' project, offering a wonderful example of an artist at work, a laid back groove, pushing all the right dancefloor buttons, all presented with respect to the past, but with acres of modern day swing; Mysticisms' own cohort Piers Harrison, side stepping his edit school as one of Soft Rocks, to produce a literal peak time acid banger; and to close the 'DJ' returns, Leinad offers a bumping 2022 remake to show he's still a teacher.

Guru The Mystery.

 

 

£21.75

 

Richie Weeks' work as a singer, songwriter, musician, and producer was foundational to New York's disco, boogie funk, house scenes and beyond. From the late 1970s right through to the 1990s he racked up releases on a multitude of labels in the USA and abroad while leading groups such as Weeks & Co. and The Jammers and recording as Bambu, Major Weeks and Jiraffe. Past Due Records due signed Weeks in 2019 and set about realigning his legacy. This triple album of previously unreleased music, cut to a DJ-friendly template of two tracks per side, focusses in on the eye of the disco storm, namely the years 1978-9, and the 12 tracks instantly transport you back to a NYC of steaming sidewalks and liberated fire hydrants. These are immaculately crafted songs, delivered with smooth confidence by Weeks, but arranged with plenty of instrumental grooving - check the slinky bassline on 'Find That Disco Rhythm" (version 2)' or the blissful, elongated funk-stye intro to 'Love Magician' for further proof.

 

 

£7.50

 

In the early 1980s, Richie Weeks was one of disco and boogie's most prolific producers, scoring dancefloor hits aplenty with his groups Weeks & Co and the Jammers. This incredible collection is the result of three years of work from Past Due chief Jerome Derradji and is entirely made up of previously unreleased productions which Weeks and his collaborators laid to tape in 1978 and '79. Often blurring the boundaries between disco, funk and soul, the collected cuts are genuine gems that should be essential listening for any disco enthusiast. Our picks of a very strong bunch include the wickedly percussive and infectious 'Find That Disco Rhythm (version 2)', the proto-boogie disco-funk squelch of 'Just Cause I Don't Dance (vocal mix)' (check the killer male-female spoken word vocals) and 'Who Cares?', featuring a very young Leroy Burgess.

 

 

£7.50

 

Anyone who has had even half an eye on the electro scene over the past decade will already be familiar with Emile Facey aka Plant43's unique sound, mixing an uncompromising approach to off kilter rhythms and machine-led funk with an emotive and powerful use of melody. This trio of ultra fresh tracks were penned for recent live shows in The Hague and Berlin and are brimming with the energy and excitement Facey felt on his return to the live circuit. 'Remote Signals' is led by a booming kick drum heavy enough to command any audience with Facey weaving ever more complex webs of melody around it. 'Searching The Skies' builds a mysterious atmosphere based around a call and response between characterful melodic elements while 'Constantly Morphing Entity' closes the EP with a flourish of forward moving beats and an SH101 bass line designed to move any dancefloor.

 

 

£7.50

 

The ever wonderful Politics Of Dancing come with four remixes of label stalwart Tommy Vicari Jnr jumping, pumping house stormer 'Look I Your Eyes', each carefully crafted to cover slightly different areas of the dancefloor. The Silverlining Night dub remix takes pride of placer on the A-side, a mix of two halves for sure - it starts of all full pelt, adds a subtle layer of disco-style strings and then drops to a dramatic breakdown before re-building brick by brick. Josh Baker's version has a slightly 80s feel with its mechanised handclaps and swooping synths wrapped in echoey vocals, the Lowris mix is arguably the most no nonsense, straight ahead thumper and then we're left to luxuriate in the sumptuous ooze of Cosenza's dub house re-reub, taking us all the way back to the days of Guerrilla at their height. Capital!

 

 

£7.50

 

Plastik People label head Marc Cotterell steps up to his own imprint here with a vibey EP featuring four cuts that fuse garage, house and jack. There are strong US vibes and throwback bassline sounds on the gorgeously smooth and bumping '8 Minutes Of Pleasure' which is defined by a funky sax. 'Soul Glow' has funky samples, rolling drums and some dazzling disco dust sparkled over it while 'This Love Of Mine' gets down to business with a chunky beat, neon pads and a diva vocal to get the hands in the air. Closer 'Get That Feelin' brings the party with more kicking house beats and elastic synths and bass.

 

 

£6.75

 

Yet again, Helena Hauff's Return To Disorder label brings us a new talent from the world of electro production, this time in the shape of India's Investigations of a Dog. The four tracks here contain a lively, energetic feel sure to tempt the reticent onto the dancefloor, matched with a dreamy optimism that gives them an ultra pleasurable head-in-the-clouds celestial feel. 'Heliocentrism' has echoes of classic LFO's naive melodicism, '11 July' is sunny and gently bubbling in the same vein as Aphex's first 'Ambient Works' LP, and the rest is generally infectious and loveable yet employed with a touch of subtle restraint. We look forward to further Investigations

 

 

£6.99

 

There's only one word for this 1996 release from Donnell Knox aka D-Knox - blistering. Originally released on Jay Denham's Black Nation Records in 1996, it's become a highly sought after 12" and now appears having been remastered by Tim Xavier and reissued on Knox's own Sonic Mind label.
It's not hard to see why it was so in demand. 'Total Concentration' starts with drum machines set to stun and the mixing desk pushed to the edge of distortion. 'Deep Meditation' is smoother but still has the speed and crunch of its companion on the A-side. 'Mind Calming' has an almost industrial thump to it, minimal and brutal in all the right ways. It hurts, but it hurts good.

 

 

£7.75

 

Big name pile up alert! In the final stages of his career, the late Frankie Knuckles and fellow Chicago producer Ricky Sinz teamed up for this funky house outing that has classic written all over it . From the moment it's R&B-slanted vocal starts to wind you around it's little finger and the pumping, stripped down 80's groove kicks into life. Orlando Voorn delves even further back for inspiration on his remix, shimmering in disco strings, before Ben Sims carves out two harder-edged mixes that nestle neatly on the house/divide, both playing a single bass note off against restless rhythms.

 

 

£6.75

 

Trauma Collective go out all guns blazing with a fierce offering by ascendant Italian producer Sciahriar Tavakoli aka Sciahri (Sublunar Records/Unknot). The Trauma EP is at once an obviously loyal tribute to the imprint platforming him, while being a visceral soundtrack to the gradual setting in of early morning lights. Wasting no time in exercising his sonic assault, opening cut 'Hypnotism' will affect you much like its name suggests on this punishing, splintered- beat body basher, before pummelling you into submission on the strobed-out warehouse techno epic 'Plastic Rain'. He then ventures into the more abrasive shades of texture and gradient on the experimentally minded 'Ava' until getting off-the-grid once more with a descent even deeper into the void, on the knackered closer 'Dead Waves'.

 

 

£7.50

 

New but already essential Italian label Trauma Collective's sixth transmission is another hefty dose of musical and macho techno. Opener 'Take A Break' has a supple but body-shaking rhythm with punishing drums and 'Command' then has frosty synth textures fizzing about over rumbling drums and bass that march onwards. It's blistering warehouse tackle but will also work just as well in smaller back rooms. 'Staca' gets trippy with its dangling cosmic synth lines and slapping drum funk and 'Stay Puft' closes with a heads-down bit of tunneling late-night techno.

 

 

£7.50

 

Keppel was last on this label with a contribution to a various artist collection but now steps up with a full solo EP of his own. His unique take on techno is exhibited from the off on 'Stanley Knife' with its scurrying synths, drunken synth loops and drums that go nowhere fast but still draw you in. '194' is awash with kinetic synth sequences and distant dub chords that bring colour and 'Life Takes Rise' rides on another inventive and alluring rhythm pattern while the warming synth work gets you lost in thought. Closer 'Diesel', meanwhile, is tough, frosty, and more techno-leaning.