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| | More from eccentric Swede Arvid Svetman AKA Your Planet is Next, a producer who delivered top notch EPs for Klasse Wrecks and Acid Waxa in 2017. This second outing on home city imprint Studio Barnhus is predictably impressive, too. Check, in particular, the sprightly peak-time bounce of opener "Laid Back", which sounds like a more acid-influenced take on similarly quirky Noze cut "Remember Love", and the TB-303-sporting, breakbeat driven, Chicago hip-house style craziness of "Youngman". Elsewhere, "Some Sounds" is a deep, slow, woozy and occasiuonally melancholic saunter through Tevo Howard style deep synth-pop territory, while "High Fidelity" is a quirky and bass-heavy chunk of skewed breakbeat silliness. | |
| | It would be fair to say that Eli Escobar's second album, Shout, is not a carefree affair. Inspired by his growing anger at American politics, it's a much more poignant and melancholic affair than his party-hearty debut album. As such, the 15-track set is arguably his strongest collection to date, with cuts such as "Nightmare Rag", the gospel influenced disco deep house cry for freedom "The People", twisted and intense "ANGR", blissfully slick and tactile "City Song" and superb "Going On?" - a kind of sorrowful deep house update of Marvin Gaye's most heartfelt work - proving that Escobar is a far more thoughtful and musically savvy producer than many incorrectly believed. There are plenty of groovy and quietly positive moments, too, fuelled by Escobar's belief that love may be the answer to America's mounting problems. | |
| | The latest Nightnoise release comes from Ivan Fabra, an underground producer who shares the label's disdain for strict genre boundaries. Across the four tracks showcased on Disco Estelada, you'll find largely mid-tempo club workouts that slickly combine elements of rubbery deep house, bubbly nu-disco, life-affirming, sun-kissed Balearica, electrofunk and fizzing, Clavinet-fired disco. For peak-time plays, we'd suggest taking a listen to "Disco Estelada", where a fantastically elastic bass guitar line and rolling drums are peppered with attractive disco flourishes, though the lilting, dewy-eyed deep house bliss of closer "Vintageve" provides a fitting conclusion to a rock solid EP. | |
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