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Friday 6 October 2017
 
 
 
 
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13... Unlucky for some but not for yung Ed:It as it's exactly the amount of months since his last Shogun four-track breath-taker. As with everything he's dropped on Friction's label, the EP is an exciting full-vibe spectrum that explores myriad dark corners of the dance. "Junction" is all about the emotional power with its evocative vocal and touching chord progressions, "Nevermind It" flips the vibe with contrast as we're treated to a naked subby two-stepper before "Wander Away" takes us on an all-out soul juggernaut that tips its hat towards the Breakbeat Era style of vocal jazz-tinged drum & bass. Finally we have the grumbling bass stepper that Ed:It teased us with earlier this month: "Kovacs". All bases covered, there's a strong argument to start calling Ed:It Edward Winnerhands here. A very strong argument.
 
 
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At just a year old Reload is a baby every sense of the word, but if this release is anything to go by it won't be long before this Leeds based imprint are playing with the big boys. This extra long EP from High Impact & Objective is eclectic and balanced we've certainly got our eyes peeled. 'Cat Inna Bag' is a nostalgic, happy mix of old Zinc and Shy FX, it had us reaching for our good old Jungle Massive compilation. 'TG's On A Friday' flips the script completely, bringing us into deep, windy tech soundscape. 'Photoshoot' merging crisp breaks with tap glass and a squidgy blobs of sub. 'Blu' is our favourite track of the EP bringing the heartfelt liquid vibes, with rolling breaks, a sparkling piano, and dreamy sci-fi lasers. 'Grandma's Funk' is the only collaborative track on the release and, it's sharp and quick with organic musical drums, guitars and clicks, so much fun to be had with this one. 'Bean Spillage' is a delicate roller with gritty, industrial scrapes but an eerie sense of psychotic calm. 'Haunted' finishes us off with a mutated half-time beat.
 
 
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Since emerging on L Double's Flex a few years back, Margaman has blessed us with a whole string of timeless cuts through the likes of Kenny Ken's Mix & Blen, Dawn Raid's Hocus Pocus and Ash-A-Tack's Director's Cut. Now he makes his debut on Ray Keith's seminal Dread imprint with two incendiary EPs. It kicks off here with the massive 2am blow-out "Searching", a track that grabs you instantly with its over-layered vocals and energetic thrust. Other highlights include the stripped back tribality and jazzy echoes of "Tribe Of Benjamin", the slurry bass and Headzy mentasms of "Satisfy" the space-race metallic tech-step pace of "Nasty Bloodclart" and the neck-breaking jungle grunts of "You Still Here". Dig deep as there's a whole other EP as part of this release too. Margman isn't messing around!
 
 
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Featured label: Dread Recordings View all 
 
 
 
 
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Various/Ray Keith
 
Sometimes you have to look back to look forward. Sometimes you have to look forward to look back. Sometimes you just have to live in the now. Whichever temporal situation you find yourself in, know one thing; Ray Keith has been donning jungle and drum & bass since day one with his mighty and hugely influential Dread imprint and his army of aliases (UFO, Renegade, Terrorist, Dark Soldier, London's Most Wanted, Babylon 5, the list goes on) Here, like the generous D&B Santa he truly is (yes, we are saluting his awesome white beard) he's bringing everyone up to speed with 28 cuts that range every Dread era from here to tomorrow. Serum's VIP-primed soul slammer "Feel For You", Bladerunner's ghostly groaner "Spartan Law" by way of the immense collection from the big man himself, this is an immaculate lesson in jungle with enough upfront exclusives for the biggest completist head. No junglist should be without it.
 
 
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